ampeg scrambler screams octaves but lacks gritty fuzz?

Started by hellwood, January 19, 2008, 11:09:03 PM

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hellwood

  maybe my tycobrahe and my shin-ei FY-2 have poisoned my ears, but is the scrambler a wimp? ive never heard a real one, but all of my voltages are comparable to other successful build reports and im a little disappointed w/ the lack of "all hell breaking loose".

     Q2 Hfe -225 (2n3904)
V-9.77
Q1  C-9.56       
       B-4.56
       E-3.66
Q2  C-3.57
       B-.951
       E-.289
Q3  C-9.61
       B-4.75
       E-3.69
Q4  C-9.22
       B-4.75
       E-3.69

  two other questions: 1)should Q2's collector be closer to 4.5? 2)Hfe suggestions? thanks!
     

Solidhex

I wouldn't really rely on the Scrambler for any full on fuzztones. The octave craziness seems to be its best feature. I've built a number of Scrambler clones and I also have one of the Ampeg reissue ones. Its the same story. I like em though. I think it seems more distorted and gainy when you listen to someone playing through one as opposed to when you're the person playing through it if that makes any sense.

--Brad

hellwood


Mark Hammer

I've mentioned this before, but stick a basic Distortion+ or DOD250 circuit in the same box as the Srambler and you will be more pleased with the Scrambler's performance.  Unfortunately, the Scrambler lacks any sort of sensitivity control.  As a result, it is difficult to nail any tones that ARE fuzz-like (as opposed to destructo-mode sonic implosions).  I've found the D+/Scrambler combo works nicely by permitting identification of the needed amount of push at the front end, as well as a bit of tone-shaping for optimum octaving, in addition to the "normal" sonic cave-in the unit is capable of.  If one sets the Texture control for minimum octaving/rectifying, a strong push from the D+ into the unit with Blend set to mostly straight rather than octave, can produce some nice high-energy distortion.  In some respects the two units support each other; the D+ needs additional output (which the set-for-clean Scrambler can augment nicely), and the Scrambler needs better control over the output.


hellwood

Quote from: nordine on January 20, 2008, 01:15:51 PM
try other diodes

sounds tempting although are you sure those are for clipping and not the octave effect?

Cardboard Tube Samurai

The Scrambler is an incredibly quiet pedal. I'm trying to rectify this with one I made for a friend and I'm looking at putting the LPB2 into it as I can't find any other way of giving it more balls.

Quote from: Mark Hammer on January 20, 2008, 12:04:32 PM
I've mentioned this before, but stick a basic Distortion+ or DOD250 circuit in the same box as the Srambler and you will be more pleased with the Scrambler's performance.

Is that before or after the Scrambler?

Mark Hammer

#7
Before.  The output level control of the D+ section serves as input drive control for the Scrambler.  That's why it's such a nice combination.  If the blend control is panned all the way over to the unaffected side, then the D+ output control also doubles as an output level control for the two effects together.

An LPB-1, or indeed ANY booster circuit with a level pot, will probably do nicely as an input stage to adjust the drive for the Scrambler.  The thing I like about the D+/Scrambler combo is the manner in which not only do you get adjustable drive and output level, but you get  tone-shaping for the Scrambler AND the option of having a slightly hotter D+ output on its own.  Between the gentler perversion of the D+ and the more severe audio perversion of the Scrambler, there is a huge palette of possible tones.