How's the EH POG work?

Started by gutsofgold, September 23, 2008, 09:55:26 AM

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Paul Perry (Frostwave)

Back in the heyday of analog synths, there was a thing called a "poly box". http://www.vintagesynth.com/eml/polybox.shtml
it was actually a chord generator, took a monophonic note input & then treated it as a controller for a bunch of notes.

Maybe someone could start with a Blue Box or similar & then  work with the polybox idea, with organ style pedals.
Or a range of stomp switches corresponding to chords.

Though it might be easier to learn DSP dammit... :icon_mad: :icon_sad:

earthtonesaudio

Right now I'm working on this idea: first generate a square wave one octave higher than the original note, then feed that signal into a 4024 and get your fundamental and sub octaves that way.  The trouble is generating that first waveform.   :icon_confused:

Mark Hammer


StephenGiles

Quote from: ConanB on October 05, 2008, 09:59:03 PM
I wasn't expecting to recreate the POG sound ;)
Just wanted to experiment with an up/down octave fuzz blended together. Totally not expecting it to sound like a POG  :P

Still trying to find the octave up sound I want in it, gone through about 4 different kinds so far. I need to start finding the down sound and working on the blend.

We used to get the octave up by using pick and thumb together........in 1964!
"I want my meat burned, like St Joan. Bring me pickles and vicious mustards to pierce the tongue like Cardigan's Lancers.".

analogmike

Quote from: ConanB on October 05, 2008, 04:39:01 AM
One thing I want to try soon is an analog "version" of a micro pog. So build an octave up that I like, along with an octave down that I like (probably green ringer and shocktave/blue) then put them in one box that has the up/down/clean mix controls like a micro pog but with the extra controls for each octaves. Wont be exactly like a micro pog of course, and will be fairly fuzzy, but it would be interesting to see how it turns out.

DIY has unpleasant realities, such as that an operating soldering iron has two ends differing markedly in the degree of comfort with which they can be grasped. - J. Smith

mike  ~^v^~ aNaLoG.MaN ~^v^~   vintage guitar effects

http://www.analogman.com

slacker

Quote from: earthtonesaudio on October 05, 2008, 10:47:41 PM
Right now I'm working on this idea: first generate a square wave one octave higher than the original note, then feed that signal into a 4024 and get your fundamental and sub octaves that way.  The trouble is generating that first waveform.   :icon_confused:

It's all here courtesy of Ken Stone http://www.cgs.synth.net/modules/subosc.html

whack a fundamental extractor in front of the input stage and you're good to go.

puretube

Quote from: slacker on October 06, 2008, 02:04:14 PM
Quote from: earthtonesaudio on October 05, 2008, 10:47:41 PM
Right now I'm working on this idea: first generate a square wave one octave higher than the original note, then feed that signal into a 4024 and get your fundamental and sub octaves that way.  The trouble is generating that first waveform.   :icon_confused:
...
whack a fundamental extractor in front of the input stage and you're good to go.

Yeah, where`s Stephen, when he`s needed?  :icon_smile:

Eric H

Quote from: StephenGiles on October 06, 2008, 09:31:45 AM

We used to get the octave up by using pick and thumb together........in 1964!
Yeah, and no stinkin' fuzz-box, just an AC10 with 2 guitars, a bass, and the singer plugged in.
:icon_wink:
" I've had it with cheap cables..."
--DougH