Isolate EHX Micro Synth square wave as pedal?

Started by Drewmeyer, April 25, 2014, 08:41:54 PM

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Drewmeyer

Hey there, looking to build a fuzz pedal for the bassist in my band. One of the hottest fuzz bass tones I've heard is the EHX micro synth's square wave distortion, and I'm wondering if anyone knows a way to isolate that section of the circuit as its own individual pedal. Here's a schematic I found, if it helps:
http://files.effectsdatabase.com/docs/schematics/eh_microsynth.pdf
Thanks a lot, I appreciate any help you can give!

Keppy

It depends on how close you want it to be.

1) You need the power supply. The original used a transformer to get +9v and -10v. You can probably get close enough with a charge pump inverter making -9v to go with your +9v supply. Something like Madbean's Road Rage would do it.

2) To get the square wave tone with no dynamics, you need everything up to test point 3 except R5 & R6, plus A6A and the surrounding components, plus R34 & C15, plus make R35 a pot, then move C14 to the pot wiper as an output cap. That should do it, although you might be missing some additional distortion from the CA3094 OTA.

3) The EH MicroSynth is unusual in that it used an envelope detector to impose dynamics onto the square wave after the distortion. If you want that sound, it gets complicated. You need everything up to A3A, plus both sections of the "SQUARE WAVE SHAPER," the "PEAK FOLLOWER," and the "SQUARE WAVE MODULATOR." The "SQUARE WAVE MODULATOR" needs a 3080 or LM13600/13700 to replace the unobtanium CA3094. Leave out the modifications from step 2, put a 1-10uF output cap between A8 and R36, and reduce R37 to 1k. Even then, the sound probably won't be absolutely identical. It appears that the entire output of the Micro Synth passes through the filter circuitry, regardless of whether that circuitry is set to do anything. You may notice a difference.

This is complicated, and results may vary. If you're up for it, I suggest breadboarding the circuit first to make sure you get what your bassist wants. Otherwise, there are tons of less complicated bass fuzzes in the world.
"Electrons go where I tell them to go." - wavley

StephenGiles

Wait a minute......did you say 'peak follower' in that tangle of control circuitry? Of course, must look at circuit when I get up.....should keep a copy in my bedside stack!
"I want my meat burned, like St Joan. Bring me pickles and vicious mustards to pierce the tongue like Cardigan's Lancers.".

facon

How about a Roctave Divider without the flip flop section?

Keppy

Quote from: StephenGiles on April 26, 2014, 03:38:51 AM
Wait a minute......did you say 'peak follower' in that tangle of control circuitry? Of course, must look at circuit when I get up.....should keep a copy in my bedside stack!

Yes. A5B, set up as a half-wave rectifier, which feeds the square wave modulator, which adjusts the bias of the 3094 OTA to impose an envelope on the square wave.
"Electrons go where I tell them to go." - wavley

the3secondrule

Bumping this, as i'm attempting something similar. Did actually this happen?

I'm going to attempt to build a pedal with the square/octave up/guitar controls. maybe a passive tone control to tame things a little. any suggestions for an out put/mixer stage?

Cheers
"Rock music is mostly about moving big black boxes from one side of town to the other in the back of your car."

the3secondrule

sanity check for my schem please?

should this work?
"Rock music is mostly about moving big black boxes from one side of town to the other in the back of your car."

Scruffie

#7
IC2_A has pins 2 & 3 swapped and you've completely missed the OTA out?

Edit: Ah I see you're following Keppy's suggestion.

the3secondrule

Quote from: Scruffie on June 06, 2014, 11:48:13 PM
IC2_A has pins 2 & 3 swapped and you've completely missed the OTA out?

Edit: Ah I see you're following Keppy's suggestion.

Yep - fixed pins 2&3 now, and I'm going as per Keppy advice. I'll try the simple version first to see if it gets me in the ballpark, and if not I'll try the dynamic version. anything else obvious I've missed? I'll probably start laying this out tonight...
"Rock music is mostly about moving big black boxes from one side of town to the other in the back of your car."

the3secondrule

"Rock music is mostly about moving big black boxes from one side of town to the other in the back of your car."

StephenGiles

Quote from: the3secondrule on June 07, 2014, 12:19:30 AM
Quote from: Scruffie on June 06, 2014, 11:48:13 PM
IC2_A has pins 2 & 3 swapped and you've completely missed the OTA out?

Edit: Ah I see you're following Keppy's suggestion.

Yep - fixed pins 2&3 now, and I'm going as per Keppy advice. I'll try the simple version first to see if it gets me in the ballpark, and if not I'll try the dynamic version. anything else obvious I've missed? I'll probably start laying this out tonight...

Has anybody sussed a "dynamic version" of the Microsynth envelope generator?
"I want my meat burned, like St Joan. Bring me pickles and vicious mustards to pierce the tongue like Cardigan's Lancers.".

the3secondrule

#11
Schem updated. have added the OTA and Octave.

not sure if I can just omit the peak follower and square wave modulator, or if pin 5 on the OTA needs to see current / voltage to work?

Edit>> Schem now updated to include the PF and square wave modulator.
"Rock music is mostly about moving big black boxes from one side of town to the other in the back of your car."

the3secondrule

Have built and verified this :D

The schem above needs one fix (squelch  trimmer should go to v-, rather than ground) I'll update it tonight
"Rock music is mostly about moving big black boxes from one side of town to the other in the back of your car."

Keppy

Nice, how's it sound? Any chance of a demo?
"Electrons go where I tell them to go." - wavley

the3secondrule

Quote from: Keppy on July 23, 2014, 09:22:19 PM
Nice, how's it sound? Any chance of a demo?

It sounds much like i remember my old microsynth sounded, the octave up sound is much more raw and fuzzy, and could benefit from some filtering ( or maybe it's just because I went with near enough is good enough for the component values I didn't have ).

I'll try and whip up a quick and dirty iPhone demo over the  weekend...
"Rock music is mostly about moving big black boxes from one side of town to the other in the back of your car."

nocentelli

No input cap? Is that because vref is ground?
Quote from: kayceesqueeze on the back and never open it up again

the3secondrule

Quote from: nocentelli on July 24, 2014, 07:26:04 AM
No input cap? Is that because vref is ground?

Honestly, I just went with the schem from the microsynth. But as it's a bipolar power supply (I used +/-9v), I believe the input cap isn't necessary
"Rock music is mostly about moving big black boxes from one side of town to the other in the back of your car."

Keppy

Quote from: the3secondrule on July 25, 2014, 07:41:49 PM
Quote from: nocentelli on July 24, 2014, 07:26:04 AM
No input cap? Is that because vref is ground?

Honestly, I just went with the schem from the microsynth. But as it's a bipolar power supply (I used +/-9v), I believe the input cap isn't necessary
Normally, even with a bipolar supply you'll see a coupling cap to block any stray DC at the input. Any stray DC voltage there (say, from another pedal with a leaky output cap) will be amplified by the input stage, and since most of the following stages are DC coupled the problem only gets worse from there. .1uF will allow bass down to ~20 Hz, giving you safety and predictability without altering the frequency response.
"Electrons go where I tell them to go." - wavley

the3secondrule

"Rock music is mostly about moving big black boxes from one side of town to the other in the back of your car."

Keppy

The input cap should be on the input before R1 & R2, not after. You'll likely also want a 1M+ pulldown resistor to ground on the input side of the cap. Sorry, I should've put that part in my last post. Thanks for making this!
"Electrons go where I tell them to go." - wavley