why don't people use capacitance multipliers in pedals?

Started by nognow, July 20, 2015, 06:45:16 PM

Previous topic - Next topic

nognow

why is nobody using capacitance multipliers in pedals?
why not use a capacitance multiplier in a Cry Baby 535q instead of a 6-way rotary with 6 different caps for example?

R.G.

Probably because simple capacitance multipliers aren't good, and good capacitance multipliers aren't simple.

The name "capacitance multiplier"conjures up images of a neato chip or a transistor or two that magically make a capacitance bigger. Would it were so.

The simple capacitance multiplier is the circuit you get from placing a capacitor to ground on the base of a bipolar and taking the "capacitance" off the emitter. This does make things look like there is a bigger capacitor there, in terms of holding the voltage on the emitter steady, but it's not a capacitance exactly, and must emulate a capacitor to ground, not floating.

Most of the applications for switching several caps want floating caps, i.e. NOT with one lead tied to ground. So the simple circuit won't work.

There exist floating capacitor emulator circuits, but their complexity is generally higher than the pedal circuit you'd use them in.
R.G.

In response to the questions in the forum - PCB Layout for Musical Effects is available from The Book Patch. Search "PCB Layout" and it ought to appear.

Transmogrifox

Although I do wonder -- the feedback node of the crybaby circuit is seen as a variable capacitor by the inductor.  What would happen if there were a parallel emitter follower with an adjustable pot coming off the collector of the first transistor?  Seems you could use this to push the sweep range up and down.

Of course, as the second capacitor/pot begins to look large compared to the one connected to the treadle, then perhaps you lose overall range...

But maybe there is a sweetspot in there.  This circuit is, in a sense, a capacitor multiplier -- so the the crybaby is a good example of something that already uses a capacitor multiplier even though it doesn't look like what I think the OP has in mind.

Just a thought -- now onto LTSpice to see what happens in my crybaby sim;)
trans·mog·ri·fy
tr.v. trans·mog·ri·fied, trans·mog·ri·fy·ing, trans·mog·ri·fies To change into a different shape or form, especially one that is fantastic or bizarre.

PRR

What R.G. said.

In this case: this Wah circuit IS a "capacitance multiplier", or rather a cap-divider. When set to say 10nFd cap, and WAH pot is full up, it acts as 10nFd; but when WAH pot is set to 10%, it acts as 1nFd. It is an infinitely-variable capacitor action.

Well, not utterly infinite. Turn down a lot and the action is weak. Starting with a different cap gives you another range. The schematic I found looks like you get several octaves on the switch, plus whatever you get from ankle action.

Also the simple "capacitor multiplier" has one end of the "capacitor" grounded. The Wah circuit wants both ends of the cap off ground. This can be done; complications (and costs) happen.

Speaking of costs: a few nFd caps is no more expensive than the several op-amps needed to begin to make a good floating virtual capacitor.

Cleverer is not always better.
  • SUPPORTER

Transmogrifox

QuoteBut maybe there is a sweetspot in there...now onto LTSpice to see what happens in my crybaby sim
What happens is it works but it's not useful.  The range of tweakability doesn't provide a sweet spot -- so you can either jack the range up and down and lose too much range with the treadle, or you can keep ok range with the treadle but the up/down tweak is more like how much you can tweak a 20% cap.  The thought experiment was worth a try ;)


Quote from: PRR on July 20, 2015, 09:30:58 PM
When set to say 10nFd cap, and WAH pot is full up, it acts as 10nFd; but when WAH pot is set to 10%, it acts as 1nFd. It is an infinitely-variable capacitor action.

I hate to crawl out on a limb and disagree, but I have been analyzing the Crybaby in depth over the past few months trying to discover an inductorless strategy that is relatively faithful to the original.

When the pot is full forward it acts as 10nF as you say, but when it is 10%, it's more in the direction of 100nF.  The simulated capacitance increases in value (resonant frequency goes down) as loop gain increases.

At full throttle gain (treadle all the way back) the simulated capacitance is near 300 nF.
trans·mog·ri·fy
tr.v. trans·mog·ri·fied, trans·mog·ri·fy·ing, trans·mog·ri·fies To change into a different shape or form, especially one that is fantastic or bizarre.

PRR

> When the pot is full forward it acts

Matter of perspective. I now see that your perspective is more relevant here.

I was just looking at the pot and buffer. Unity-gain at most.

When you include the first transistor there IS significant voltage-gain, and thus capacitance Multiplication. As you say.

Sorry for the narrow view.
  • SUPPORTER

Transmogrifox

Quote from: PRR on July 20, 2015, 09:52:57 PM
Matter of perspective.

Yes, I think the main points you made still stand intact regardless.  I didn't mean to detract from that.  Some kind of variable gain feedback on the remote end of the capacitance multiplies its value whether up or down, and by definition, a capacitance multiplier.
trans·mog·ri·fy
tr.v. trans·mog·ri·fied, trans·mog·ri·fy·ing, trans·mog·ri·fies To change into a different shape or form, especially one that is fantastic or bizarre.

idiot savant

There's many reasons to NOT use a capacitance multiplier, but there are some fun uses of them that may be worthwhile. For example strap a variable cap multiplier to a fuzz face in place of the emitter bypass cap. Or stick one on the NFB leg of an opamp stage. Kinda neat. Or make it sweepable via an LFO or envelope follower with a LDR, like the Spaceman WOW signal.

Also probably somewhat useful a in power supplies, as they may have better HF stability or transient response than a regulator or plain cap. Dunno, it's DIY, so why not try?

bool

Imho cap. multipliers hold their place only where they really are useful. They aren't new circuits by any measure, so they tend to sick around only in those places where there are some actual reasons and benefits to use them.

It's rather simple when you think about it from this evolutionary perspective.

antonis

Quote from: R.G. on July 20, 2015, 07:46:02 PM
Probably because simple capacitance multipliers aren't good, and good capacitance multipliers aren't simple.
:icon_wink:

Same case with diode-cap voltage multipliers..
"I'm getting older while being taught all the time" Solon the Athenian..
"I don't mind  being taught all the time but I do mind a lot getting old" Antonis the Thessalonian..

R.G.

Quote from: Transmogrifox on July 20, 2015, 09:48:08 PM
I hate to crawl out on a limb and disagree, but I have been analyzing the Crybaby in depth over the past few months trying to discover an inductorless strategy that is relatively faithful to the original.

When the pot is full forward it acts as 10nF as you say, but when it is 10%, it's more in the direction of 100nF.  The simulated capacitance increases in value (resonant frequency goes down) as loop gain increases.

At full throttle gain (treadle all the way back) the simulated capacitance is near 300 nF.
The Crybaby circuit uses an odd variant of the Miller capacitance effect for the variable capacitor. It makes the emitter follower cap look like different values to the inductor by changing the effective voltage gain of the stage it's hooked up around. I had been trying to reason out how the Crybaby worked for some years back in the 1980s and 1990s when that struck me. It was slow work back then, with the internet to work with.  :(

The circuit varies the current available to charge the inductor by varying the AC voltage on the outside end of the resonance cap. The cap then seems to be different values to the inductor.

And inductorless version of the Crybaby is easy - but the performance is not good. There are simple "fake inductors" that can be made with gyrators - amplifiers that make a floating capacitor look like a grounded inductor. These are the basis of most graphic EQs. They work in the Crybaby circuit. The problem is that (1) they're noisy; hiss is a real problem with gyrators, and (2) they are completely free of the quirks of the real inductor, many of which are viewed as very valuable tonally by guitarists. The slightly sweetened sound of asymmetrical inductor saturation and the slight distortion when the inductor is pushed hard are completely missing. These things can, of course, be put into the inductor simulation, but the inductor simulation is then several times more parts and complication than the whole Crybaby circuit.

Other versions of an inductorless Crybaby are also easy - use an active filter. There are biquad, multiple feedback, and state variable circuits that do the same thing. But they also get complicated, and don't have the "valuable" side effects without a lot of tinkering.
R.G.

In response to the questions in the forum - PCB Layout for Musical Effects is available from The Book Patch. Search "PCB Layout" and it ought to appear.

nognow

I just used the 535q as an example...
could be a mid-frequency control on distortion pedal with a 3-band eq or really anything in a pedal...

Quote from: R.G. on July 20, 2015, 07:46:02 PM
Probably because simple capacitance multipliers aren't good, and good capacitance multipliers aren't simple.

The name "capacitance multiplier"conjures up images of a neato chip or a transistor or two that magically make a capacitance bigger. Would it were so.

The simple capacitance multiplier is the circuit you get from placing a capacitor to ground on the base of a bipolar and taking the "capacitance" off the emitter. This does make things look like there is a bigger capacitor there, in terms of holding the voltage on the emitter steady, but it's not a capacitance exactly, and must emulate a capacitor to ground, not floating.

Most of the applications for switching several caps want floating caps, i.e. NOT with one lead tied to ground. So the simple circuit won't work.

There exist floating capacitor emulator circuits, but their complexity is generally higher than the pedal circuit you'd use them in.

is this a floating multiplier?:

R.G.

Quote from: nognow on July 21, 2015, 11:16:12 AM
I just used the 535q as an example...
could be a mid-frequency control on distortion pedal with a 3-band eq or really anything in a pedal...
Yes, that is how I understood your question, and that was how I answered.

"Floating" means that one of the two terminals is not connected to ground, or "AC ground" at a fixed voltage or power supply.  This is harder to do because instead of having to emulate only the voltage/current at one of the device terminals, the emulator circuit has to emulate the voltage/current at both ends of the cap.

Quoteis this a floating multiplier?:
http://www.next.gr/uploads/135-9317.png
Don't know. I get "not found" when I try that link.
R.G.

In response to the questions in the forum - PCB Layout for Musical Effects is available from The Book Patch. Search "PCB Layout" and it ought to appear.

amptramp

There is one pedal people use that could be better changed to a capacitance multiplier implementation and that is the noise gate.  The noise gate cuts off a signal below a selected threshold to avoid having noise swamp the signal at low levels.  But back in 1948, RCA was faced with the same thing with phonographs and developed a more interesting circuit to do the same thing without the sudden cutoff that is really jarring to an audience.  They called the circuit "Magic Monitor" and it used a 6AV6 and a 6BA6 as the two tubes in the circuit.  The 6AV6 amplified the incoming signal and used its diode section to rectify it with the increasing negative value used to bias the 6BA6 which was connected as a reactance tube.  At high signal levels, the 6BA6 gain was reduced and it had no effect on the signal arriving at its plate.  As the signal level dropped, the rectified bias dropped and the 6BA6 was connected as a variable capacitance across the audio.  The audio was fed into the circuit via a parallel RC circuit so if the reactance of the tube was low, it would be two parallel RC circuits in series with little change in bandpass, like an oscilloscope input with parallel RC circuits in the input attenuator.  If the signal level dropped, the reactance would increase, shunting the high frequencies and acting like a Dolby circuit to reduce the high frequency component.

I will see if I can find a way to scan the circuit.

nognow

Quote from: amptramp on July 21, 2015, 12:50:50 PM
There is one pedal people use that could be better changed to a capacitance multiplier implementation and that is the noise gate.  The noise gate cuts off a signal below a selected threshold to avoid having noise swamp the signal at low levels.  But back in 1948, RCA was faced with the same thing with phonographs and developed a more interesting circuit to do the same thing without the sudden cutoff that is really jarring to an audience.  They called the circuit "Magic Monitor" and it used a 6AV6 and a 6BA6 as the two tubes in the circuit.  The 6AV6 amplified the incoming signal and used its diode section to rectify it with the increasing negative value used to bias the 6BA6 which was connected as a reactance tube.  At high signal levels, the 6BA6 gain was reduced and it had no effect on the signal arriving at its plate.  As the signal level dropped, the rectified bias dropped and the 6BA6 was connected as a variable capacitance across the audio.  The audio was fed into the circuit via a parallel RC circuit so if the reactance of the tube was low, it would be two parallel RC circuits in series with little change in bandpass, like an oscilloscope input with parallel RC circuits in the input attenuator.  If the signal level dropped, the reactance would increase, shunting the high frequencies and acting like a Dolby circuit to reduce the high frequency component.

I will see if I can find a way to scan the circuit.
Quote from: R.G. on July 21, 2015, 11:33:17 AM
Quote from: nognow on July 21, 2015, 11:16:12 AM
I just used the 535q as an example...
could be a mid-frequency control on distortion pedal with a 3-band eq or really anything in a pedal...
Yes, that is how I understood your question, and that was how I answered.

"Floating" means that one of the two terminals is not connected to ground, or "AC ground" at a fixed voltage or power supply.  This is harder to do because instead of having to emulate only the voltage/current at one of the device terminals, the emulator circuit has to emulate the voltage/current at both ends of the cap.

Quoteis this a floating multiplier?:
http://www.next.gr/uploads/135-9317.png
Don't know. I get "not found" when I try that link.

here is the source:
http://www.next.gr/inside-circuits/capacitance-multiplier-l9317.html

Transmogrifox

Quote from: R.G. on July 21, 2015, 10:05:51 AM
I had been trying to reason out how the Crybaby worked for some years back in the 1980s and 1990s when that struck me. It was slow work back then, with the internet to work with.  :(

I have been in a sense duplicating your efforts, but with the advantage of hindsight and your "technology of the ..." page to give me the answer up front. 

When you neglect input coupling capacitance and DC blocking caps around the pot it's pretty quick work to get a typical second order low-pass transfer function with a gain term acting on w0, and the effect of the pot on the center frequency is readily apparent.  That much of it doesn't take much work, and is a satisfactory explanation for why it works.  However, going back to the original patent, the designer saw this as a variable impedance, so I have set myself to manipulate the transfer function until I can see a [gain X capacitor] term jump out somewhere.  The synthesis of a variable capacitance apparent when you measure Q in simulation and watch what happens to Q vs w0 in a textbook RLC circuit when you vary only the capacitor.

This might also reveal a way to implement the variable cap in a useful way in other circuits -- especially if a second inductor and capacitor tacked on could be woven into a loop to get something similar to a 4-stage phaser.  I have already played with the Crybaby in a feedback loop to get a single notch.  A second LC tank would give the second notch and if it could be kept stable it may be a platform for a simple 3-transistor inductor-based phaser effect.
trans·mog·ri·fy
tr.v. trans·mog·ri·fied, trans·mog·ri·fy·ing, trans·mog·ri·fies To change into a different shape or form, especially one that is fantastic or bizarre.

R.G.

Quote from: Transmogrifox on July 21, 2015, 05:06:07 PM
... However, going back to the original patent, the designer saw this as a variable impedance...
Yeah - I'd love to have had that. When I was messing with this, I didn't have patent searches available.  :icon_cry: I did have access to the corporate patent departments who would do patent searches for you based on written descriptions; that was less than no help. I got a pile of paper on things not nearly related to the topic at hand.    :icon_lol:

Quote from: nognow on July 21, 2015, 12:56:51 PM
is this a floating multiplier?:
here is the source:
http://www.next.gr/inside-circuits/capacitance-multiplier-l9317.html
No. That causes the output terminal to look like a capacitor to ground.

Worse yet, the capacitor has a resistor in series with it equal to R3, as an inherent part of the circuit operation. You'd really like for a "capacitor" to look as though it had zero Equivalent Series Resistance (ESR), although in many circuits you can stand some resistance especially if you replace part of the resistances that are already there with an ESR. It just makes the design tricky (-ier!).

But it's a neat circuit, similar to the gyrator making the output look like an inductor.
R.G.

In response to the questions in the forum - PCB Layout for Musical Effects is available from The Book Patch. Search "PCB Layout" and it ought to appear.

PRR

> is this a floating multiplier?:

I believe it is a grounded inductor (disagreeing with R.G., at my risk; but agree about the likely faults).

It also has one more resistor than it needs for most audio work; and higher hiss therefrom.
  • SUPPORTER

DDD

Some people do use something close (quite an English version :) ):

http://www.sugardas.lt/~igoramps/article57.htm

Brief illustration:

Too old to rock'n'roll, too young to die

duck_arse

vaugely on topic - what effect does a cap mult have on the cap's ESR? do the benefits of the low ESR cap also multiply?
" I will say no more "