Boss HC2 Handclapper project.

Started by FUZZZZzzzz, April 23, 2020, 12:08:33 PM

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FUZZZZzzzz

Hi Guys,

Im doing a lot of projects at the moment. I probably need some guidance with some of them, so it would be great if you guys could help me out a bit if needed

But, I know the 'You show me yours i'll show you mine' rule around here. So here goes:

I want to build a Boss HC2 Handclapper:

schematic:


heres a video:


heres the manual:
http://www.synfo.nl/servicemanuals/Boss/BOSS_HC-2_SERVICE_NOTES.pdf

here's the list with some hard to get components:


here's the pcb:


heres a cool website in Japanese:
https://dothkoi.blogspot.com/search/label/HC-2

heres some additional schematic and revision from the author of that japanese website:







"If I could make noise with anything, I was going to"

iainpunk

#1
HOLY SH1T DUDE
this is such a cool "effect"/"synth", really close to what i was planning on building for myself,
im planning a simple 3 or 4 voice electronic drum machine. i have acquired 12 latex blocks from my girlfriend which feel adequate for drum pads.

i'm planning at least a clap, kick and tom to begin with, and maybe a snare and crash later. i have done some experimenting with heavy filters and wave folding to get a nice clap sound, but it doesn't come close to that boss HandClaper sound.

https://www.youtube.com/watch?v=TSiH9MUh4Ec
this is what im going to do for my tom sound, it already works... kinda
but i used a modded small stone from EHX

cheers,
Iain
friendly reminder: all holes are positive and have negative weight, despite not being there.

cheers

FUZZZZzzzz

"If I could make noise with anything, I was going to"

FUZZZZzzzz

The Syntom II was to be build with different sounding modules, that you could trigger with pad or whatever source.

Theres also the Synclap (sound of a clap) and Synbal (yes sound of a cymbal) Schematics are included. The components seem to be still available.

http://www.muzines.co.uk/articles/the-synclap/6177
http://www.muzines.co.uk/articles/synbal/5903
"If I could make noise with anything, I was going to"

bluebunny

FYI, the Amdek version of the HC-2 can also be found at muzines in the E&MM archives (Feb '84).  Pretty sure I still have mine.  Somewhere...  ::)
  • SUPPORTER
Ohm's Law - much like Coles Law, but with less cabbage...

snk


ElectricDruid

There's a couple of bits of unobtainium in that circuit. The BA662 VCA is a Roland-only OTA that hasn't been produced in years. If you want to get really fussy, it's been cloned:

http://www.openmusiclabs.com/projects/ba662-clone/index.html

To be honest, it's just acting as a simple VCA in this circuit, so I'd just use a 13700 instead.

The other chip that's difficult to get is the 4006 shift register. That's being used as a LFSR digital noise source. Apparently there's a Russian part number that's equivalent that you can still get. But again, digital noise sources are simple to do, and I've done a load myself:
https://electricdruid.net/which-noise-chip-do-i-need/

The transistors don't look to be anything super-special and I'd be inclined to just use standard jellybean parts (BC547/548 or 2N3904/3906) instead of searching for original Japanese jellybean parts.
The only quirk is one of them is marked "gm selected" but doesn't say selected for *what* gm, unhelpfully.

Also the trigger input op-amp mentions that it is "selected for offset" but again doesn't say at what level. Probably best to choose a low-offset op-amp for that one.

Thanks for the interesting read, btw. I love the mixed digital/analog technology of Roland/Boss stuff of this era.

iainpunk

so i just went on a "reading vaguely relevant web pages to research an idea" binge into relaxation oscillators for a 808 bassline machine, all thanks to this thread.

im planning a analog kick sound that also turns into a single long drone note until the button is released. then ill use a boss Bass chorus for fatness and my EHX Pitchfork for all the pitch shifting needed to make thicc a$$ bass lines for hiphop/trap. :icon_cool: :icon_cool:  :icon_cool:

thanks for getting me excited,
cheers,
Iain
friendly reminder: all holes are positive and have negative weight, despite not being there.

cheers

FUZZZZzzzz

The BA662 is indeed the most problematic of the whole list. I found all the other stuff at little diode.

The BA662 im using is a 13700 to 662 adapter print.
this one:
https://www.ebay.co.uk/itm/Adapter-PCBs-CA3080-BA662-SSM2044-2SA798-TSSOP-SOIC-8-14-16-SOT-23-363-SC-70-SIL/163201839956?hash=item25ff967354:m:m4Z04qP4BNOgIEWQ9LVBdWA

I like these old percussion boxes. Bit cheesy but very cool with fx and to use in the studio with live drums and triggers.

Quote from: ElectricDruid on April 25, 2020, 06:18:44 AM
There's a couple of bits of unobtainium in that circuit. The BA662 VCA is a Roland-only OTA that hasn't been produced in years. If you want to get really fussy, it's been cloned:

http://www.openmusiclabs.com/projects/ba662-clone/index.html

To be honest, it's just acting as a simple VCA in this circuit, so I'd just use a 13700 instead.

The other chip that's difficult to get is the 4006 shift register. That's being used as a LFSR digital noise source. Apparently there's a Russian part number that's equivalent that you can still get. But again, digital noise sources are simple to do, and I've done a load myself:
https://electricdruid.net/which-noise-chip-do-i-need/

The transistors don't look to be anything super-special and I'd be inclined to just use standard jellybean parts (BC547/548 or 2N3904/3906) instead of searching for original Japanese jellybean parts.
The only quirk is one of them is marked "gm selected" but doesn't say selected for *what* gm, unhelpfully.

Also the trigger input op-amp mentions that it is "selected for offset" but again doesn't say at what level. Probably best to choose a low-offset op-amp for that one.

Thanks for the interesting read, btw. I love the mixed digital/analog technology of Roland/Boss stuff of this era.
"If I could make noise with anything, I was going to"

FUZZZZzzzz

I have an original Amdek PCK 100 in my possesion ;), but both the handclap Boss and Amdek are getting ridicously pricey.

Quote from: bluebunny on April 24, 2020, 09:50:15 AM
FYI, the Amdek version of the HC-2 can also be found at muzines in the E&MM archives (Feb '84).  Pretty sure I still have mine.  Somewhere...  ::)
"If I could make noise with anything, I was going to"

bluebunny

How ridiculously pricey?  I also have the RMK-100 drum machine.  Perhaps that's my pension sorted?   ;)
  • SUPPORTER
Ohm's Law - much like Coles Law, but with less cabbage...

FUZZZZzzzz

#11
Only if you go on a diet of canned meat or dried noodles ;)

The Amdeks go for more then the roland counterpart. Strange really because as far as Im aware the Amdek were all cheaper and mostly kits? You can buy a Amdek RMK 100 drummachine for 350 GBP today, but I've seen them being sold on ebay up to 450 500.

https://www.ebay.com/itm/AMDEK-RMK-100-DRUM-MACHINE-JAPAN-MADE-BY-ROLAND-RMK100-VERY-RARE-LIKE-BOSS-DR-55-/183937547500
"If I could make noise with anything, I was going to"

snk

The RMK100 is quite an oddball : it use the same sequence programing technique than the DR55, but it sounds a bit more like a TR606. And it is a bit more advanced than some other DR55 alikes.

anotherjim

Those Roland percussion circuits always look like they kept adding bits until it worked. I mean, if you have a digital source, why not use a simple swing VCA and do the filtering afterwards? It even looks like the "Hall" element has Q6 as a VCA/gate function working off the trigger envelope.