For those who are interested in playing with their Analog Delay filter curves

Started by Dirk_Hendrik, November 19, 2006, 07:54:56 AM

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Dirk_Hendrik

Since I needed them anyway earlier today I traced the filters of my Ibanez AD-9. Since the filtering in a delay makes up for most of the sound it can be attractive to apply the component values of the filters to other designs like for instance the PT-80. Have fun.

http://www.dirk-hendrik.com/ad9-filters.pdf
More stuff, less fear, less  hassle and less censoring? How 'bout it??. To discuss what YOU want to discuss instead of what others decide for you. It's possible...

But not at diystompboxes.com...... regrettably

Dirk_Hendrik

More stuff, less fear, less  hassle and less censoring? How 'bout it??. To discuss what YOU want to discuss instead of what others decide for you. It's possible...

But not at diystompboxes.com...... regrettably

$uperpuma

I'm not even smart enough to know what I'm looking at... but it makes me want to get an ad-9 even more... :)
Breadboards are as invaluable as underwear - and also need changed... -R.G.

tommy.genes

Quote from: Dirk_Hendrik on November 20, 2006, 10:27:43 AM
Wow,
66 vieuws, 29 downloads and 0 response. Too difficult.

I, for one, downloaded and saved it for future use. I don't have the time to review it thoroughly right now (I'm at work - shhh! -  :icon_wink:) nor am I familiar enough with filter design to enter an ongoing discussion right now, but I do appreciate the effort.

-- T. G. --
"A man works hard all week to keep his pants off all weekend." - Captain Eugene Harold "Armor Abs" Krabs


Mark Hammer

Note the two complementary op-amp circuits.  The use of the parallel RC network on the input stage, and the parallel network in the feedback loop of the output stage, attempt to produce a "poor man's Dolby" by boosting the treble on input, and de-emphasizing it on output.  A great many commercial BBD pedals utilize this strategy, most often when they lack companding.