brass master diode question

Started by 9 volts, January 19, 2009, 06:23:26 AM

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9 volts

Hey there, I'm trying to throw this together with odds and ends, I have have 1n4004 diodes rather than 1n4001's. Will using these work/ (alter the sound?) Thanks

gigimarga

First i used 1N4148 instead of 1N4001 and it sounded good.
After that i replaced 1N4148 with Schottky 1N5817 and now it sounds better (for my taste).

Good luck!

oldrocker

My guess would be that the 1n4004's would work fine in place of the 4001's.

9 volts

Thanks, I seem to recall reading in an anderton book that increasing the size shouldn't matter (can't find where I read that), I know in a distortion eg mxr distortion or tube screamer it has major changes in tone, I understand that this is a rectified bridge and is doing a different job to diodes in a distortion. Need a bit of theory on this one. Thanks

Meanderthal

 Yep, you got it, that's what the diodes are doing, they're not clippers. Shouldn't make any difference to sub 1n4004...
I am not responsible for your imagination.

R.G.

Actually, if you look at the schematic closely, the diodes are a true diode ring, not a full wave rectifier bridge. They are all wired cathode-to-anode, no two cathodes or two anodes together.

If the diodes are well matched (!) then it does a pretty good frequency doubler on a sine wave. Yeah, diodes should probably be matched, although you can get along without it.  Match for forward voltage at low current.
R.G.

In response to the questions in the forum - PCB Layout for Musical Effects is available from The Book Patch. Search "PCB Layout" and it ought to appear.

9 volts

Thanks all. I may check the diode readings once this is up and running. At this stage all is working (even filter bit) except the brass side gets a little blatty as it fades out. (I'm using an mpsa13 for trans 6 and a 2n3392 for trans seven). The rest are 2n3904's with the legs twisted and work fine. I've audio traced it and the problem arises on the c leg of trans 6 (mpsa13) Wondering if maybe it needs to be biased differently from the 2n5308? It would be great to get this up and and running before my board falls apart,  ha. Thanks

9 volts

Just read the other posts and gathered that the gating is part of the circuit. It would be great to try to enhance  this pedal a little.

Meanderthal

 The gating is a very practical and helpful thing when used in a live situation... no need to dance on your bypass switch to get it to shut up! When I play, it passes signal, when I don't, it shuts up. Compared to any other bass fuzz I've tried of this face-ripping intensity, it's far more usable for that reason alone.
I am not responsible for your imagination.

9 volts

Got it, the problem I'm having is that when I audio proble the diode section there is a distinct dip in the dynamics of the signal which then rises before the end of the tone. This causes a cut in/cutout cut in for every note....I've got some diodes measured so I'll pop them in today and see if it changes it.
PS RG So the diode ring is a voltage quadrupler?

R.G.

A set of four diodes in a ring is the original of the name "ring modulator". It's used in RF modulation and demodulation.

A diode ring for modulation works best if the diodes are matched. Best is four monolithic diodes in an array. The now-obsolete CD3039 is perfect. But obsolete.

There are quad monolithic arrays of Schottky diodes available. You can also use a CD3046/3086/3096 transistor array, and either use the C-B junctions, or better yet, connect base to collector and use the C/B and E terminals as Anode and cathode respectively.

You can also hand match diodes for forward voltage at some chosen current. 100uA would be about right. This is a 1 point match and is better than unmatched, but monolithic is better.
R.G.

In response to the questions in the forum - PCB Layout for Musical Effects is available from The Book Patch. Search "PCB Layout" and it ought to appear.