Big Muff - I'm paralyzed by too many choices

Started by MikeH, July 28, 2009, 09:12:26 PM

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MikeH

I finally decided to make a BM clone (after selling my Green Tank version recently).  I didn't take me much research to figure out that there are at least 10 different versions.  Somehow this had remained a mystery to me.  So whats the deal?  Are they really that different soundwise? 
"Sounds like a Fab Metal to me." -DougH

BAARON

I suspect they're all noticeably different, yes.  For $65, the GGG version of the kit has parts for 7 versions, so that might be an easy way to try them out firsthand...
B. Aaron Ennis
If somebody makes a mistake, help them understand what went wrong.  Show them how to do it right.  Be helpful.  Don't just say "you're wrong, moron."

km-r

heres my reference on big muffs...

http://www.pisotones.com/BigMuffPi/psst/BMP_versions.htm

ive played not a lot of big muffs but im quite ok with the green and the american ones played through an old orange amp.  :icon_mrgreen:
Look at it this way- everyone rags on air guitar here because everyone can play guitar.  If we were on a lawn mower forum, air guitar would be okay and they would ridicule air mowing.

aron

Somebody out there has my 70's Big Muff. He even wrote me to tell me .... long ago!

John Lyons

Sound clips of a bunch of muffs.
http://www.stompunderfoot.com/BIG_MUFFS.html

There are about 30+ versions out there.
Matt is making several of them for this page.
Basic Audio Pedals
www.basicaudio.net/

sevenisthenumber


doitle

Quote from: John Lyons on July 28, 2009, 10:20:38 PM
Sound clips of a bunch of muffs.
http://www.stompunderfoot.com/BIG_MUFFS.html

There are about 30+ versions out there.
Matt is making several of them for this page.

Wow that's cool I've always heard about the triangle and the ram's head and the other big muffs but only ever heard and played through my new reissue Russian Big Muff.

I can't decide if I like that Triangle or the Guild Foxy Lady better. They are soooo bassy! I love it.

aron

Isn't it made worse in that there were variations of the triangle muffs too (different transistors, values) etc...?


MikeH

I don't know how I never knew there were so many BM variants.  I guess it was because I never looked into building one.  Hehe.  Those sound clips are great, and as I suspected most sound quite similar.  I think I like the sound of the Rams Head the most out of those though.
"Sounds like a Fab Metal to me." -DougH

frank_p


QuoteBig Muff - I'm paralyzed by too many choices

Quote from: km-r on July 28, 2009, 10:05:47 PM
heres my reference on big muffs...

http://www.pisotones.com/BigMuffPi/psst/BMP_versions.htm

:icon_eek:
:icon_neutral:
:icon_confused:
:-\
:-[

You are absolutely right Mike, -paralysing- is the right word.


aron

For me, when I could afford stuff, the Big Muff was the king of fuzzes. Little did I know I the Tri-Dirty Booster I bought was a Big Muff. I really did love the "promise" of the Big Muff. Santana-like sustain, big sound. I've made a number of them for sure.

frequencycentral

Big Muffs are very much like women: there are many different versions, each one has it's own attractions, the ones with a big bottom end can be quite desirable, it would be great but not practicle to have every different version, you tend to love the one you're with until another comes along with interesting mods, your friend's BM will do things that yours won't. However, if you change your BM for a different version, the old one won't take your house, your car and half your income.
http://www.frequencycentral.co.uk/

Questo è il fiore del partigiano morto per la libertà!

Mark Hammer

Mike Matthews is quoted as saying that if you plucked 4 different BMPs off the line from any of the 1970's issues, they would all sound different from each other.  Largely because of the variation in components.

I don't wish to diss the folks who have put lots of effort and time into documenting the differences between issues, who have worked tirelessly on layouts, and project PDF's, who have spent money on buying different issue examples and time on recording sound clips, and so on.  But, it is very rare that inferences about the assorted issues are based on examination of many untampered/unmodded examples of Issue X in order to identify what lies in common, against examination of many examples of Issue Y, in order to see what they have in common.  It becomes a bit like making assertions about men and women, based on this gal you know, and this guy you know.  In the world of statistics, we would describe this as sampling error.

My advice is to build one, of whatever issue, either on breadboard or pefboard (with lots of space), live with it for a little while, and decide what you need to change based on how it sounds to you.  I promise you that: a) if you like double-clipping there will certainly be something there for you to like, and if you don't like double clipping there won't be, and b) whatever you wish was juuuuuuust a little different in tone or control will be delightfully easy to identify and improve, given the massive amount of collective experience, expertise, and documentation out there.

So just jump in, the water's fine! :icon_biggrin:  You can figure how you want to swim once you get there.

mattpas

Quote from: Mark Hammer on July 29, 2009, 09:04:00 AM
Mike Matthews is quoted as saying that if you plucked 4 different BMPs off the line from any of the 1970's issues, they would all sound different from each other.  Largely because of the variation in components.

Mark,
Thanks for posting. I appreciate your input. I have read that, about the differences and what I did is take every Triangle schematic I could find and compared what was different and what those differences would affect. I trimmed it down to what differences would have the most impact. I have it down to six different 1971 Triangle versions. In my opinion, these six seem to be the best versions and variations to use for sound differences.
I know this may seem like a lot of work but I love the pedal and am having fun doing this.

Also, thanks to everyone else who has posted so far.

raulgrell

Quote from: frank_p on July 28, 2009, 11:42:02 PM

:icon_eek:
:icon_neutral:
:icon_confused:
:-\
:-[

You are absolutely right Mike, -paralysing- is the right word.


Really? Judging by the weird faces, I'd say "stroke-inducing" is more appropriate....

thereverend

i remember seeing j mascis from dinosaur jr. playing a few years back with mike watt at wetlands. j's pedal board had at least 4 muffs on it from what i remember. actually that's all i can remember. it was loud and i was very, very drunk.
it's not a BURST BOX  it's a circuit box with burst button...

jrod

Quote from: John Lyons on July 28, 2009, 10:20:38 PM
Sound clips of a bunch of muffs.
http://www.stompunderfoot.com/BIG_MUFFS.html

There are about 30+ versions out there.
Matt is making several of them for this page.

I liked the Jordon Creator a lot! Anyone know of a schematic? I don't think there is one, huh?

John Lyons

Mahoney Guitar Gear is making a clone of the Jordan "Creator" with a mid control.
Check it out. sounds great.
I don't think there is a schematic on line.

john
Basic Audio Pedals
www.basicaudio.net/

jrod

Quote from: John Lyons on July 29, 2009, 11:58:03 AM
Mahoney Guitar Gear is making a clone of the Jordan "Creator" with a mid control.
Check it out. sounds great.
I don't think there is a schematic on line.

john

Thanks, John!